· By Mattias Forsgren

CORRO turns toxic attachment into dancefloor catharsis on Can’t Get You Out New single Out Now via Icons Creating Evil Art

Stockholm-based alt-pop artist CORRO releases Can’t Get You Out, a hyperpop track that pairs a relentless, fast four-on-the-floor beat with raw emo intensity and an addictive hook. At the heart of Can’t Get You Out is the pull of toxic attachment: being unable to shake someone even when the connection becomes overwhelming. Corro brings that emotional overload to the dancefloor, giving restless thoughts a driving rhythm and a hook that keeps coming back. The song connects his growing interest in electronic production with the directness and emotional weight of his alt-rock roots.

Following collaborations with Ezekiel and Boy Destroy, and the digital experimentation of 404, the new single continues CORRO’s movement between hyperpop, experimental pop and alt/emo. Heavy beats and immediate melodies give his music its physical impact, while vulnerability remains central to the songwriting.

That openness also shapes his relationship with listeners. CORRO’s music speaks to people navigating mental health, identity and the feeling of being lost, with a consistent message: “It’s okay to be different, you’re never alone.” On Can’t Get You Out, those concerns find an outlet in a track built for movement as much as emotional release. 

CORRO is a Stockholm-based alt-pop artist whose music moves between hyperpop, experimental pop, emo and post-grunge. Since signing with Icons Creating Evil Art in 2019, he has developed a sound driven by raw energy, heavy beats and infectious hooks, addressing mental health and the experience of feeling different with candour.

His work encourages listeners to embrace their individuality and challenges the stigma surrounding mental illness. Fans regularly write to him about the difference his music has made in their lives, reflecting the personal connection at the centre of his growing community. Collaborations with Ezekiel and Boy Destroy have brought that approach into conversation with neighbouring scenes.